Lead actress Adrian Deane emphasized the protagonist's trajectory of self-discovery as central to themes and tone of the play. "Anna is someone who is searching for perhaps the greatest thing someone can search for...herself"
‘molten complexity’
Yet Deane does exquisite work with these thankless chores, elevating Jane to not just a three-dimensional character, but one of molten complexity. Deane has the power of transforming her expression completely without visibly moving a single facial muscle. It’s as if clouds of rage, hope, gratitude and genuine curiosity keep silently storming through, for an instant inflaming her eyes and flushing her cheeks, then ceding ground to the next passing weather system.
‘brilliant performers’
Nicole Gluckstern of KQED found that “Through their unconventional staging they imbue this difficult piece with moments of real beauty and empathy, drawing the audience to bear witness to a human condition that is so frequently ignored, misinterpreted, or rejected.
She cited the three woman cast of Anastasia Barron, Jody Christian, and Adrian Deane as being “strong” and “fearless.”.
Christine Okon observed that “Director Robert Estes and choreographer Bridgette Loriaux create a visceral and verbal experience where three brilliant performers (Anastasia Barron, Jody Christian, and Adrian Deane) dance, interact, intertwine, explode, recoil and literally throw themselves against the wall…”